Who makes public records and how? In the future, how will archiving be carried out for the Internet? What sites will be included, what will be discarded, and for what reasons? Will market pressure alone determine online content?

Link to publication: https://issuu.com/mediapackboard/docs/facts_and_artifacts_in_the_collective_matrix

This project has been made possible through the support of The Alberta College of Art & Design

Thanks to: Daniel Dugas, Vera Gartley, Richard Halliday, Tomas Jonsson, Seiko Karakama, Doug MacLeod, Marc Parenteau and Rob Woodbury.

This work is licensed under a Creative Commons License.

Archive of Research
Excerpted from a conversation with Doug MacLeod
Director of Projects for the Netera Alliance
June 25, 2004.

Archive of Meanings
Excerpts from a conversation with Robert Woodbury
Thursday, June 17, 2004

The Archive of Family Treasure
Excerpts from a Conversation with Vera Gartley
April 14, 2004

Archive of Conflict
Conversation with Richard Halliday
April 7, 2004
Conversation with Richard HallidayApril 7, 2004

Archive of Connecting Archives
Conversation with Tomas Jonsson
Programming Director for the New Gallery, Calgary
March 17, 2004

Archive of Odds and Ends
Conversation with Marc Parenteau
April 18, 2004

Archive of Change
The Conversation with Media Artist Seiko Karakama, April 16, 2004 revolved around Seiko’s videotape: Technology Evolution (2002, running time: 2min., audio: Techno Mixes by Seiko Karakama.) In that tape, she lined up several different video and data formats: VHS, Beta, CD’s, DVD’s, etc. The curving line snaked around through various rooms until she sent them tumbling. A convoluting ‘domino effect’ was achieved through use of visual edits. Electronic music ‘kept the beat.’